Εισάγετε μια λέξη ή φράση σε οποιαδήποτε γλώσσα 👆
Γλώσσα:
Μετάφραση και ανάλυση λέξεων από την τεχνητή νοημοσύνη ChatGPT
Σε αυτήν τη σελίδα μπορείτε να λάβετε μια λεπτομερή ανάλυση μιας λέξης ή μιας φράσης, η οποία δημιουργήθηκε χρησιμοποιώντας το ChatGPT, την καλύτερη τεχνολογία τεχνητής νοημοσύνης μέχρι σήμερα:
- πώς χρησιμοποιείται η λέξη
- συχνότητα χρήσης
- χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
- επιλογές μετάφρασης λέξεων
- παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
- ετυμολογία
Τι (ποιος) είναι être cloué au lit - ορισμός
HAÏTIAN FOOTBALLER, SINGER, GUITARIST, AND BANDLEADER (1925-1998)
Coupe cloue; Coupe Cloue; Jean Gesner Henry
Être Dieu
OPERA
Etre Dieu
Être Dieu: opéra-poème, audiovisuel et cathare en six parties (French for "Being God: a Cathar Audiovisual Opera-Poem in Six Parts") is a self-proclaimed "opera-poem" written by Spanish surrealist painter Salvador Dalí, based on a libretto by Manuel Vázquez Montalbán with music by French avant-garde musician Igor Wakhévitch. It was originally published in 1985.
Coupé Cloué
Jean Gesner Henry (10 May 1925 – 29 January 1998), known professionally as Coupé Cloué, was a Haitian footballer, singer, guitarist, and bandleader. He was known for defining a style of Haitian compas music he called kompa mamba, and for the sometimes bawdy innuendo used in his songs.
Lad lit
GENRE FICTION LITERATURE FOR YOUNG MEN
User:Anna-Maria Butucescu/Lad–lit; Lad lit (genre); Wikipedia talk:Articles for creation/Lad–lit; Draft:Lad–lit; Lad-lit; User:Anna-Maria Butucescu/Lad-lit; Wikipedia talk:Articles for creation/Lad-lit; Lad–lit; Bloke lit (genre); Bloke lit
Lad lit was a term used principally from the 1990s to the early 2010s to describe male-authored popular novels about young men and their emotional and personal lives.
Βικιπαίδεια
Coupé Cloué
Jean Gesner Henry (10 May 1925 – 29 January 1998), known professionally as Coupé Cloué, was a Haitian footballer, singer, guitarist, and bandleader. He was known for defining a style of Haitian compas music he called kompa mamba, and for the sometimes bawdy innuendo used in his songs. During his career, he was one of Haiti's most prominent musicians, and found much success in West Africa as well.
